Thoughtful Advice from a Wedding Photographer

posted on: July 11, 2016

Wedding Header by Anne Ruthmann

After photographing hundreds of weddings over 11 years as a wedding photographer, I've seen it all.  I was also a bride who invested a lot of time, energy, and money into planning my own wedding, so I remember what it felt like to be really nervous and wanting everything to turn out well.  Having great  information from experienced professionals makes it easier for couples to make informed decisions about their own wedding.  I pride myself on sharing objective, balanced and thoughtful advice- so my tips are designed to inform you of the many options available, so that you can make the best decisions based on who you are and what you value.  If you like my tips and would like me to write on additional subjects that aren't listed here, just leave me a comment with a question!

Wedding Header  Anne Ruthmann

How to Take Amazing Photos of Your Engagement Ring:
http://anneruthmann.blogspot.com/2008/12/how-to-take-amazing-engagement-or.html

Wedding Timeline Considerations To Help Your Day Go Smoothly:
http://anneruthmann.blogspot.com/2008/06/wedding-timelines.html

The Secrets to Finding An Amazing Wedding Photographer
http://anneruthmann.blogspot.com/2014/04/the-secrets-to-finding-amazing-wedding.html

Why I Don't Photography My Own Family's Weddings
http://anneruthmann.blogspot.com/2014/04/why-i-dont-photograph-my-familys.html

Do You Need Two Wedding Photographers?
http://anneruthmann.blogspot.com/2010/11/do-i-need-second-photographer.html

Caution: Drone Wedding Photos
https://anneruthmann.blogspot.com/2015/07/caution-drone-wedding-photos.html

Wedding Header  Anne Ruthmann


How to Create A Large Group Photo of All Guests At Wedding:
http://anneruthmann.blogspot.com/2014/03/how-to-create-large-group-photo-of-all.html

Why Do Wedding Photos Take Longer Than Other Photos?
http://anneruthmann.blogspot.com/2008/12/why-do-wedding-photos-take-so-long.html

Should You Get RAW Digital Negatives of Photos?
http://anneruthmann.blogspot.com/2010/03/should-i-get-digital-negatives-from-my.html

Post-Production and Image Processing After The Wedding
http://anneruthmann.blogspot.com/2010/09/what-is-post-production-why-would-i.html

Should You Make Your Own Wedding Album?
http://anneruthmann.blogspot.com/2010/12/real-brides-advice-making-your-own.html


Wedding Header  Anne Ruthmann

Wedding Album Design Samples
http://anneruthmann.blogspot.com/2009/11/wedding-album-design-examples.html

Bridesmaid & Wedding Gown Recycling:
http://anneruthmann.blogspot.com/2010/05/green-idea-bridesmaid-dress-recycling.html

Wedding Suit & Tux Recycling:
http://anneruthmann.blogspot.com/2008/09/green-idea-suit-recycling.html

Ways to Recycle Your Wedding Flowers:
http://anneruthmann.blogspot.com/2013/02/recycle-your-wedding-flowers-green-ideas.html

Some Humor to Beat Post-Wedding Depression:
http://anneruthmann.blogspot.com/2007/10/how-to-beat-post-wedding-depression.html

Wedding Header Anne Ruthmann

Caution: Drone Wedding Photos

posted on: July 6, 2015

After my Architecture Drone Photography experiment, I started seeing some photographers doing drone photography at weddings and I have to say it made me VERY uneasy.  Even if someone has registered their craft and received FAA authorization to fly a drone commercially, has special drone hazard insurance, and hundreds of hours of drone operation training, there are still several things which would make me extremely leery of having drone photography at a wedding:


1. WiFi, Radio, GPS Interference = Control Hazards

One of the greatest benefits of drone photography is also one of the biggest limitations of drone photography.  The wireless control systems used for drones can be easily interrupted by other WiFi networks or radio transmissions in a given area.  You've probably already experienced this when your phone's GPS puts you two blocks away from your actual location due to a signal reflection, or when your car radio suddenly switches over to another station and then back again as you're traveling, or when your WiFi keeps defaulting to a network you haven't selected- these same signal interruptions can happen with distances between drones and their controllers.

If you're in an open field in the country, you will have less interruptions than if you're in a densely populated area, but a wedding generally has a higher percentage of people with their cell phones emitting or collecting a WiFi  and GPS signal, along with wireless microphone and or lighting systems which can interrupt radio frequencies causing inconsistent drone operator's control of their device.

When the drone loses signal, they can act erratically, which could potentially cause a crash on a wedding cake or on grandma.  Even though they are fairly light aircrafts, when a forced landing occurs from a certain elevation, the blades become spinning weapons that can slice whatever they come into contact with.  Unfortunately Enrique Iglesias learned about drone blades in a very public and painful way.  Of course that's a fairly dramatic example, but it's better to know the potential dangers than to ignore them, especially when you have invited guests who haven't signed liability waivers to attend your event.

2.  Aerial Object Interference = Crash Hazards

Drones are not really created with "extra" propellors that will kick in when one fails.  In order to achieve the stability needed, they need all blades to be fully operational at all times.  If any single blade is interrupted by whatever random item a child can throw, tree can drop, or bird can carry, the  drone can crash instantly without any ability to control the landing speed, location, or direction in which the blades hit the object below.

The absolute worst example I've seen of this was someone trying to operate a drone over a dance floor where people had foam fingers they were putting in the air as the DJ was pressing the music to get everyone to jump higher and higher.  No way would I ever do that.  Perhaps you heard about the incident with a woman getting knocked out by a drone flying during a parade?  Not only is it just begging for a liability issue and endangering the guests below the drone, but the photo and video coverage won't be any different than what you can achieve by just sticking a GoPro camera on a mono pod!

Some drone uses are just excessive and irresponsible for the actual footage that is even possible in a given environment.  It really needs to be considered if there are safer ways to get desired shots in environments that involve crowds of people.  It's been done safely for years with cranes, lifts, and stands that can balance and control cameras which produce much higher quality images than the ones flying on most drones.  Just because someone has drone availability, doesn't mean it's the most appropriate tool for the job.

3. Usage Limitations = Is It Really Worth It?

Most people who have never flown a drone fail to understand how limited the flight time is and what areas are actually legal to operate a drone in.  Currently, one of the best photo drones on the market can only fly for about 20 minutes while capturing continuous footage.  This makes it an interesting use for random bits of unique footage, which can only be captured by drone, but it's not realistic to think that a drone is going to be capable of capturing an entire wedding ceremony, or an entire wedding day without interruption or increased hazards and complications.

If the additional cost of a drone only ends up adding 2 minutes of final edited video to your final wedding coverage or only 2 special images to your wedding album, is it worth it?  Is the final result worth the hazards, the insurance, the potential FAA violations?  I'm just not convinced it's worth it, even if the coverage is free experimental coverage by a friend.

For a special portrait session, in which the only hazard is the drone falling into the ocean and being irreversibly damaged or recovered in order to achieve an impossible shot by all other measures?  Maybe it's truly worth it in a spectacular location.  But if that drone is potentially flying over people you love and care about?  Not worth it in my opinion.  Whatever you end up deciding for your wedding, make sure you've consulted the FAA Authorization Site for Unmanned Aircraft Systems to confirm you're hiring an authorized commercial drone operator in order to ensure the highest quality experience and safety measures are being considered.

Now that I've given you a disclaimer, here's a sample of what most people's first few drone flights end up looking like before they have sufficient experience controlling a drone... some wins and a lot of fails until people figure out how to watch the drone location and the image capture simultaneously.  Remember that people have paid hundreds for these drones, and they aren't intentionally choosing these results...


Private Outdoor Event Spaces in New York City

posted on: April 28, 2014

When most people think of outdoor events in New York City, they think of Central Park, Battery Gardens, and Fort Tyron.  While public places are nice and easy to access, some of the most amazing outdoor venues are actually hidden inside buildings and are much more favorable for private events.  Here are some of my favorite lesser-known outdoor venues in Manhattan that provide an amazing event experience with full service and event planning.  BONUS: Since these are all walking distance to my home office, contact me for a special photography offer when booking your event in any of these locations.  (Note: photos are referenced from each venue's website.)


Gilligan's at Soho Grand
310 West Broadway / Soho
60 - 300 Guests
Special Bonus: Pet friendly



The Bowery Hotel
335 Bowery / Lower East Side
75 - 600 Guests
Special Bonus: Fireplace & heated outdoor garden




Isola Garden & Patio at The Mondarin
9 Crosby St / Soho
55-175 Guests
Special Bonus: Year-round glass conservatory garden



Studio Urban Garden at The James
27 Grand Street / Soho
10-75 Guests
Special Bonus: David Burke menu

Why I Don't Photograph My Family's Weddings

posted on: April 21, 2014

wedding guests with cameras up to faces
I have somewhere in the area of 30 cousins, many who have yet to get engaged or be married (if they choose to)- it seems like I, the professional photographer in the family, would be a natural fit to photograph their weddings, right?

It's easy to think that hiring a family member to photograph a wedding would be a natural fit and a smart choice, especially since you're doing family a favor by giving them business.  I would even say that this would be a smart choice if your family members are dress makers, florists, bakers, or maybe even ceremony musicians.  Those are all jobs that can easily be done before the wedding, or at the wedding in ways that don't necessarily detract from the family member doing their job well, while also enjoying the opportunity to see other family members during a special occasion.  Wedding photography, however, is quite different.

Why Lie, It's For Beer
As a wedding photographer, I need to have a dedicated and objective eye on everything that's happening around me.  Moments are happening out of all corners of the room and I am there to capture them and preserve them for the couple and the families.  When I'm surrounded by family I know and people who haven't seen me in a while, they often want to catch up with me, which distracts me from the job at hand.  Naturally, I want to catch up with them too- but then I'm not paying attention to what's happening in front of me.  It's also really difficult to ignore someone who can call out your name from across the room to capture a photo of them, when really the most important thing happening is somewhere completely different in the room, but could easily be missed when being pulled in different directions by people who are comfortable making additional personal requests for themselves, because you're family and they just expect it.


When there's a family connection with the people at the wedding, there's a tendency to focus on and capture the people we are most familiar with, rather than remaining completely objective to both families and observing them all as unique and interesting in their relationships to each other as well as the couple.  I figured this out early on when I was just a guest at weddings and noticed that all of my images centered on one side of the family that I knew best as well as the friends I was most familiar with, almost excluding everyone from the other side of the family at the wedding.  It was much easier to be objective at friend's weddings than it was at family weddings.  Likewise, when couples have shared photos from friends & family that were taken at their weddings while I was the professional, I noticed the same tendency over and over, to only document the people that were most familiar to them.

silly family wedding portrait
When I'm a hired as an outside professional, I have the most objective view of all the relationships and important people in the room, and can approach both sides of the family with the same level of attention and dedication.  I can take in the silly quirks of family members and document them instead of rolling my eyes and walking away because I've already seen them behave that way a million times before at other family events.  I can appreciate the over-attentive aunt instead of being frustrated by her desire to make everything perfect.  I can delight in a kid's antics instead of scolding or correcting him as a family member.  I can just observe, document, and be present, rather than judging or assuming things that I may or may not already know.  Point blank, I can provide the best service and coverage possible when I can remain objective and be held accountable to a professional standard.

slingshot boy at wedding

If you know someone who is considering a family member to document their wedding, please share these insights with them.  I want them to have the best wedding photography experience possible, and avoid making any mistakes that they might regret in the future.  To all of my family members who I've had to say no to, please understand that I'm looking out for you, and that I may still bring my camera and shoot what I can with one lens and no flash so that I don't disrupt the professional images being captured, but that it's nearly impossible to be "on my game" when being distracted by our family members!

The Secrets to Finding An Amazing Wedding Photographer

posted on: April 14, 2014

Looking Glass
There are SO MANY wedding photographers to choose from, aren't there?!  I would be so overwhelmed if I had to pick a wedding photographer now.  I thought it was overwhelming 10 years ago, but technology has made the market so much bigger with so many more inexperienced people just creating a website and giving it a try.  I know I can't possibly serve everyone as a wedding photographer, but I can at least share some insider secrets about the wedding photography industry that might help YOU find a really great and experienced photographer for your wedding.  Here's some insider knowledge on where the most amazing wedding photographers can be found, and how to find the ones who are near you...

Glocester Lighthouse Engagement

Word of Mouth Referrals:

Talk to 5 recently married couples about their wedding photography experience and what they wish they did differently as well as who they'd recommend working with.  It's important to talk to married  couples, since an engaged couple who has selected their vendors hasn't really gone through the full experience and delivery process yet.  If someone is highly recommending a photographer you haven't seen anywhere else, it's probably because that photographer is awesome at what they do and they don't need to advertise.  Some of the best photographers simply cannot be found in traditional wedding websites and directories because they already have enough business from referrals that they don't need to put themselves out there in any other way. I know many amazing photographers who have really old websites and don't advertise anywhere because they spend all of their time serving clients rather than working on their online presence.  (I'm equally guilty of this!)  The best people to get word of mouth referrals from are other recently married couples, independent wedding planners, and venue coordinators at your favorite venues*.

*BEWARE of the Venue Vendor List:

Before blindly accepting a vendor list from a venue coordinator, ASK if the venue coordinator has actually worked with AND recommends the people on their vendor list, or if it's just a list that people pay to be on.  I've talked to many venue coordinators who say they'd never actually recommend the people on the list they hand out blindly to couples in their venue packets!!  It makes me cringe to think there are coordinators who are not providing quality referrals just because they're receiving a kick-back or commission to share names of people who want to work at their venue.  A great venue coordinator will be honest about this and give you some handwritten referrals that might not even be on their list.  Just know that paying to be on lists is a common practice in our industry and by taking the time to ask for a personal recommendation, you will get better results than assuming a list is handpicked to begin with.  If they can't give you any personal recommendations, than they may not have been working in the wedding industry for very long. Unfortunately, due to the stress and long hours of the event industry, there's often a high turnover in venue coordinators- so take note of their personal experience level as well.

Punta Cana Destination Wedding Night Portraits

Pre-Screened Professional Wedding Photography Organizations:

If you don't have enough personal referrals, this is often the second best place to find photographers who are highly qualified and produce amazing work as wedding photographers, but who aren't advertising or paying to show up on highly visible wedding websites.  Some of these professional photography websites can even help you find photographers in your local area to help narrow your search.  I've been on and off these sites depending on how much time I have to accept non-referral inquiries and how much I want my photography work to be seen.  When I'm really busy, I pull back from contest sites and professional organizations, but I love participating in them and getting accolades for my work when I have the time to invest in preparing for a contest.  There is a small caution in only using these sites: while someone may have amazing photography work and win awards from other photographers, you still need to check that couples have had great experiences working with them.  Some amazing artists aren't the best business people, so definitely go the extra mile to get references from previous clients if you decide to go with an award-winning photographer.  Here are my favorite places to find award-winning wedding photographers who are pre-screened for high-quality imagery before ever being accepted into the organizations:

jennijarin1.jpg

REAL weddings in LOCAL Magazines & Blogs:

Do yourself a favor and skip the national magazines and blogs.  It's frustrating to look at a big list of people who might not even be in your area, or who you'd have to pay extra travel expenses for.  Go straight to your local magazines and blogs, but skip their vendor directory where people pay to be featured (no matter how long they've been in business or if they're a good photographer), and head instead to the REAL weddings section for your local area.  Look at the names hidden in the crease of that magazine or under the headline of that article, look for the photographer credit on that blog post.  Once you're armed with some names of photographers who have been featured in magazines and blogs, check out their reviews on Wedding Wire, Yelp, or Pictage to see what other clients have said about working with them.  If they have no reviews, don't assume anything is wrong, just ask them to share references with you.  I've worked with hundreds of couples and only half of everyone I ask for a review actually ends up getting around to leaving one- but if people never ask for reviews at all, and their couples are perfectly happy, they may never get reviewed.

Hopefully these industry insider tips help you find the most amazing photographers who aren't paying to advertise in the directories, who aren't doing wedding shows, and who are otherwise very difficult to find online or in print.  This isn't to say that anyone who pays to be in a directory or does a wedding show isn't a great photographer, only that there are a lot of amazing artists who hide out from the public eye and take a little more sleuthing to find!  I wish you the best in your search for an amazing photographer, and if you found this post to be useful, please share it with other engaged couples who would appreciate getting the inside scoop as well. ;-)

How to Create a Large Group Photo of All Guests at Wedding

posted on: March 20, 2014

Large Group Wedding Photo 7

If I could only do one posed photo during a wedding, I'd want it to be a large group shot of all the guests.  After all, celebrating with the friends and family who love and support your marriage is the whole reason for having a wedding and not just running to city hall for a marriage license!  That being said, a large group shot of all the guests is often one of the most challenging images to create on the wedding day without turning it into a huge production- but after doing it for so many of my wedding couples, I can definitely say that there are several ways to make it easier and low-stress for everyone involved.

1. Decide on a Time & Location When Guests Are Already Gathered Together
Often, the most ideal time is immediately after the ceremony has ended, but before people have started to leave.  While I have done arrangements during the reception that involved everyone crowding on the dance floor, or going outside to get a shot from a balcony, by far the most convenient arrangement is getting people right after the ceremony.

Large Group Wedding Photo 5

2. Find a High Point To Shoot From, Tiered Steps, or a Natural Slope for Gathering Guests
The absolute easiest arrangement is shooting from a balcony at the back of a church or hotel ballroom and simply asking the guests to turn around and look up at the photographer.  The second easiest option is asking guests to file out onto the steps of a natural exit point from the ceremony.  The most chaotic, but possible in a pinch, is asking guests to move to a completely different location together where there's a natural slope in a hill, or where the photographer can get a higher vantage point with a ladder over flat ground.  The more traveling and set-up involved means additional time for chaos to ensue before the image can be created, and the more chaotic it gets, the harder it is to rein it back in.

Large Group Wedding Photo 4

3. Decide How It Will Be Lit
Lighting is often figured out after the location is selected because we have more viable lighting options than we do location options.  However, in the case of an outdoor image, you need to be aware of any surrounding trees that might create dappled light and whether the guests could be looking into the sun or if they'll be in full shade.  If the set-up is indoors, is there a ceiling that a flash can be bounced off of to help spread a small flash?  Is the room lighting sufficient, or can it be turned all the way up by a lighting tech person after the ceremony has finished to help with the group shot?  Will any additional lights need to be set up in advance to cover the crowd?  A professional photographer will know and understand how to light this group shot in advance.

4. Prepare Guests With An Announcement Before It Happens
While an announcement in your wedding program is a nice way to prepare guests for this super awesome group shot, it's best if the wedding officiant can make an announcement with basic instructions about what to do before the couple actually walks down the aisle at the end of the ceremony.

Large Group Wedding Photo 1

5. Get Important People In Front
The couple, the wedding party, and the immediate family should all be in the front row of the image so that they take center stage in the image and don't get lost in the large crowd of guests.  This is often facilitated by simply having the couple, wedding party, and family members exit at the end of the ceremony as they normally would, and then return to the room at the back or file at the front of the steps with room for people to fill in behind them.

6. Check for Hidden Faces
Some people assume that if they can see the photographer with one eye, the photographer can see their whole face.  That might work for peek-a-boo, but not for this group shot.  Short people hidden in back rows or behind taller people can either easily be asked to move to the outside edge of the very same row, or to the front with little hassle to the rest of the crowd.  If you have time and space to ask tall people to move to the back, that's another quick and effective way to sort the crowd since most of those people know who they are and have been moving to the back row since middle-school (I'm a back-row regular myself.)

Large Group Wedding Photo 2

7. Encourage Everyone to Move In Closer Together
Our natural tendency is to have some personal space around us, but that makes for very sloppy looking group photos, especially when it's such a large group of people.  I've found that by asking guests to give the couple a group hug by getting as close as possible to their neighbor, reminding them that everyone is friends and family here, they become a little more willing to relax their personal space barriers and guards against being shoulder to shoulder with other people.

8. Count Down but Shoot On Every Count
A count down (3...2...1...) is nice for people who are sensitive to light, people who have a tendency to blink a lot, or just for letting people know that you actually need them to pay attention.  However, one of my secret moves is that I actually start shooting on 2 and I keep shooting after the final count.  It's best to prepare guests in advance by telling them that you're going to take multiple attempts at the group so that they don't start to disperse after just one count down.  Two or three count downs are generally all that's needed if multiple images are snapped during each count down.  Another body language clue to keep in mind and help the crowd understand that you're not done yet is keeping the camera up to your face rather than bringing it down to preview the shot.

Large Group Wedding Photo 6

9. Remember that Perfection is Impossible
There is nothing perfect about humanity, and when you put a large group of humans together, you're going to get a lot of imperfection.  You may take over 20 images of that large group and every single one will have something wrong with it regarding a person who isn't looking at the camera, someone important who blinked, or that awkward moment when someone opened their mouth to say something to the person next to them.  While there is PhotoShop when absolutely necessary, only so much swapping of heads, mouths, and eyes can be reasonably expected before you end up with a group of people who look like science experiments.  It's better to simply allow for a certain amount of imperfection and reality, rather than expecting something that isn't humanly possible.

Quick Summary of Tips:

Organizing:
- Decide how many rows of people you’ll have
- Decide how many people that places in each row (estimate 2ft for each person)
- Decide how you’ll be elevated or they’ll be stacked or standing/kneeling/sitting to see all faces
- Decide what kind of pose is most appropriate based on the use of the photo (for example, don’t have professionals in dresses sitting on the ground, but families in casual or sport clothing may be OK)
- Decide who needs to appear in the front row or most visible row for priority reasons
- Decide how you’ll get tall people to the back and short people to the front
- Make sure the group won’t be looking into the sun, or you’ll get squinty eyes
- Some people may have transition lenses that look like sunglasses, talk about this with the client in advance and find out how they feel about not people looking like they’re wearing sunglasses
- Confirm the details of the group shot with any coordinators or organizers for the day so they can help
- Speak loudly and remind everyone to look at you

Technical:
- Make sure your aperture is at least F/8 and focused in the second row of people
- Make sure your shutter is at least 1/80th or faster of a second to avoid blur from movement
- 24mm Lens should be enough lens width if you have enough room, if you were in a small room or space you’d go wider, if you were shooting from a field into grandstands, you'd go tighter
- Take a ridiculous number of frames
- Count down between shots but keep shooting in between counts

Did you appreciate these tips?  Do you have any other questions?  Let me know by leaving a comment!

Anne-Spotting: Second Shooting

posted on: March 22, 2013

I have a confession: I love second shooting.  It's not really possible to live off of second shooting or even replace expensive gear on a second shooting wage, but you also don't have nearly as many responsibilities, pressures, or expectations as you do when you're the main photographer.  You just show up for the event, create tons of great images, and then wash your hands of the rest.  There's a certain creative freedom that comes with not being required to get "the" shot- and I love remember what that feels like every once in a while to help spark new ideas and creativity I can give my own clients.  I did quite a bit of second shooting as I was toning down the marketing efforts of my own business in preparation for (and return from) my Adventure Year, but since my work from these events are spread out on everyone else's blog - I wanted to share them here so I can always go back and reference the work I've created for other people.  So, here are some of my favorite images that I've captured for other photographers - which is why you'll see their watermarks and links to their sites where you can see more. ;-)

State Room Wedding Details with Krista Photo


I love atmospheric details - and sometimes they get missed when we need to focus as primary photographers because we never want to get too far away from the action.  They're usually more interesting for us from a creative perspective rather than meaningful for our clients. ;-)






Above was one of those moments where I couldn't eliminate the distracting person in the background but I just HAD to get the shot without it being "perfect" because the look on his face was too priceless. Below, Krista had run upstairs to get a shot from above, but I loved the light and detail of the staircase, so I grabbed it from the front.









I love it when clergy surprise us all with quirky little personal stories and analogies.  A minister who can create laughter at a wedding is a true joy for everyone in the room.


I always try to find a way to grab a "working image" of the photographers I work with so you can get a real sense of what things are like behind the scenes of creating beautiful imagery.  In this case, Mike & Kate were doing double duty because it was a family wedding.








I was herding the wedding party from the sidelines, but there is always a lot of adjustment that needs to happen with large wedding parties before we can get just one "normal" posed group photo....







While everyone else was enjoying cocktail hour - I saw this little girl twirling and running through the grasses down the side of the hill, quite care-free about all the hubbub happening inside...







The biggest drawback to second shooting for me, personally, is that these aren't "my" clients, which means I don't get to have that lovely 2 year relationship of anticipating these amazing moments together and then reliving them through the album design process together.  All I get are the fond and fun memories that I captured for someone else based on only what was happening right then and there on the wedding day- but not the satisfaction of seeing how their lives transform and evolve over time, or how meaningful certain images were to family members that I never could have known if I hadn't spent time on an album together afterward.  So, while second shooting is fun and it fills in some of my creative itches- there's nothing like working one on one with a couple and their families from before their wedding to well after.  It's a joy and an honor to be present to these transformational moments in people's lives- and even more satisfying when I can continue that relationship beyond the wedding day.

Popular Posts

Ask Anne All rights reserved © Blog Milk Powered by Blogger