Private Outdoor Event Spaces in New York City

posted on: April 28, 2014

When most people think of outdoor events in New York City, they think of Central Park, Battery Gardens, and Fort Tyron.  While public places are nice and easy to access, some of the most amazing outdoor venues are actually hidden inside buildings and are much more favorable for private events.  Here are some of my favorite lesser-known outdoor venues in Manhattan that provide an amazing event experience with full service and event planning.  BONUS: Since these are all walking distance to my home office, contact me for a special photography offer when booking your event in any of these locations.  (Note: photos are referenced from each venue's website.)


Gilligan's at Soho Grand
310 West Broadway / Soho
60 - 300 Guests
Special Bonus: Pet friendly



The Bowery Hotel
335 Bowery / Lower East Side
75 - 600 Guests
Special Bonus: Fireplace & heated outdoor garden




Isola Garden & Patio at The Mondarin
9 Crosby St / Soho
55-175 Guests
Special Bonus: Year-round glass conservatory garden



Studio Urban Garden at The James
27 Grand Street / Soho
10-75 Guests
Special Bonus: David Burke menu

Photography Business Internship Opening - New York City

posted on: April 24, 2014

Now that I'm finally starting to settle into my new office location in NYC, I'm feeling ready to take on another intern or two again.  This one-on-one intensive mentoring experience becomes a pivotal moment for photographers before they launch their own business.  They see the real deal of what a photography business looks like behind the scenes- the good, the bad, and the crazy.  Some of my past interns have gone on to have successful businesses of their own and some have decided that this whole running a business thing isn't as fun as they thought.  I'm not going to sugar coat it, but for the right person, this is an incredible experience that can't be obtained in a classroom or even as an occasional photo assistant or second shooter.  It's like getting a free hands-on freelancing business education without the hefty tuition.  This is the real deal, nuts and bolts, of what it takes to run a photography business.  Are you ready?

NE_Music_Awards-3537

I asked some of the people who've worked with me before what they'd say if you asked them what you could learn from me:

"Working for Anne was an amazing eye-opening learning experience.  You'll learn all about what it takes to run a small business and what photographers really do when they aren't shooting - the long tedious back office work of answering emails, fulfilling orders, creating marketing pieces, dealing with difficult clients, etc.  Not to mention culling and editing photos when you're not busy with sales and marketing!  I learned so much from her!  Anne is genuine and a great mentor, which I think is really hard to find these days in photography due to competition and saturation.  My business definitely wouldn't be where it is today if it wasn't for Anne!" 
- Emily Ku  http://www.emilykuphoto.com 

"The most important thing I learned from Anne is the power of the question, "what would you do if you knew you could not fail?" If you work with Anne, you'll learn all kinds of photography tips, business advice, where to source your products, etc., but there are a lot of places you can find that information. What you can't get anywhere else are Anne's unique point of view, her amazing and generous heart, and the powerful, probing questions she'll ask you about life, your business, the universe, and everything. That question continues to shape my life and I have Anne to thank for it."
- Alexis Helmrath http://www.alexishelmrath.com

Union Studio Yoga, Andover, MA

You Should Apply If:

You're an optimist who's excited about the idea of running a professional photography business and can commit at least 5 hours weekly to showing up at my office in NYC for at least 6 months with motivation and dedication to doing the work.

Location:

You will be working from my office near Washington Square in New York City; and occasionally meeting over Skype.

Weekly Office Hours:

- 3-8pm Tuesdays and/or 12-5pm Wednesdays
- Additional hours as necessary away from the office

Software You Should Already Know:

- Mac OSX
- Adobe Photoshop CS
- Facebook
- Twitter

Equipment You Should Already Have:

- Cell Phone
- Laptop w/ WiFi Access
- DSLR Camera

Tasks That You're Already Comfortable Doing:

- Talking on the Phone
- Basic Image Editing & Retouching in Photoshop
- Writing Emails & Blogging
- Using a DSLR Camera in Manual Mode

What You'll Learn During Your Internship:
- Marketing with Imagery
- Professional Networking
- Social Media Outreach
- Business Management
- Client Workflow
- Image Management
- Vendor Relations
- Product Sales
- Photography Tips

How you will be compensated:
- Weekly One-on-One Business Mentoring during our 6 Months Together ($5000 value)
- Access to behind-the-scenes operations, workflows, and contracts in my business (priceless)
- Opportunities to receive paid assisting, retouching, and second shooting jobs as available and depending on your creative and technical strengths. ($$$)

******Deadline To Apply********

THURSDAY MAY 1, 2014

You must EMAIL A VIDEO INTERVIEW OF YOURSELF.  Written applications alone will not be accepted.  You can upload something simple like a smartphone/webcam video to YouTube, Vimeo, or just embed it in your email to me, but it should be at least one minute long and provide the video content requirement listed below.  Caution: don't wait until the last minute to send your video, or you may run into technical glitches and not get your application in on time.


Include the following details in your message to info@ anneruthmann.com:
  1. Email Subject: Internship Application 2014
  2. Email Content: Your Name, Phone Number, and where you'll be traveling from each week
  3. Video Content: Share why you're interested in working as an intern, what skills and experiences you already have, and what you hope to learn during your internship.
An emailed response to your video application will be sent by Saturday May 10th.

Last, but not least, because I don't think it's fair that you have to send a video without also seeing a video of me, here's an interview that Dane Sanders did with me in 2012- you can thank the awesome Australian humidity for that crazy hair:
Anne Ruthmann on Fast Track Coaching with Dane Sanders from Dane Sanders on Vimeo.

.... and going even further back to 2008(?), a tiny clip captured while I was teaching a photography workshop on painting with light, in Indianapolis...

Why I Don't Photograph My Family's Weddings

posted on: April 21, 2014

wedding guests with cameras up to faces
I have somewhere in the area of 30 cousins, many who have yet to get engaged or be married (if they choose to)- it seems like I, the professional photographer in the family, would be a natural fit to photograph their weddings, right?

It's easy to think that hiring a family member to photograph a wedding would be a natural fit and a smart choice, especially since you're doing family a favor by giving them business.  I would even say that this would be a smart choice if your family members are dress makers, florists, bakers, or maybe even ceremony musicians.  Those are all jobs that can easily be done before the wedding, or at the wedding in ways that don't necessarily detract from the family member doing their job well, while also enjoying the opportunity to see other family members during a special occasion.  Wedding photography, however, is quite different.

Why Lie, It's For Beer
As a wedding photographer, I need to have a dedicated and objective eye on everything that's happening around me.  Moments are happening out of all corners of the room and I am there to capture them and preserve them for the couple and the families.  When I'm surrounded by family I know and people who haven't seen me in a while, they often want to catch up with me, which distracts me from the job at hand.  Naturally, I want to catch up with them too- but then I'm not paying attention to what's happening in front of me.  It's also really difficult to ignore someone who can call out your name from across the room to capture a photo of them, when really the most important thing happening is somewhere completely different in the room, but could easily be missed when being pulled in different directions by people who are comfortable making additional personal requests for themselves, because you're family and they just expect it.


When there's a family connection with the people at the wedding, there's a tendency to focus on and capture the people we are most familiar with, rather than remaining completely objective to both families and observing them all as unique and interesting in their relationships to each other as well as the couple.  I figured this out early on when I was just a guest at weddings and noticed that all of my images centered on one side of the family that I knew best as well as the friends I was most familiar with, almost excluding everyone from the other side of the family at the wedding.  It was much easier to be objective at friend's weddings than it was at family weddings.  Likewise, when couples have shared photos from friends & family that were taken at their weddings while I was the professional, I noticed the same tendency over and over, to only document the people that were most familiar to them.

silly family wedding portrait
When I'm a hired as an outside professional, I have the most objective view of all the relationships and important people in the room, and can approach both sides of the family with the same level of attention and dedication.  I can take in the silly quirks of family members and document them instead of rolling my eyes and walking away because I've already seen them behave that way a million times before at other family events.  I can appreciate the over-attentive aunt instead of being frustrated by her desire to make everything perfect.  I can delight in a kid's antics instead of scolding or correcting him as a family member.  I can just observe, document, and be present, rather than judging or assuming things that I may or may not already know.  Point blank, I can provide the best service and coverage possible when I can remain objective and be held accountable to a professional standard.

slingshot boy at wedding

If you know someone who is considering a family member to document their wedding, please share these insights with them.  I want them to have the best wedding photography experience possible, and avoid making any mistakes that they might regret in the future.  To all of my family members who I've had to say no to, please understand that I'm looking out for you, and that I may still bring my camera and shoot what I can with one lens and no flash so that I don't disrupt the professional images being captured, but that it's nearly impossible to be "on my game" when being distracted by our family members!

Popular Posts

Ask Anne All rights reserved © Blog Milk Powered by Blogger