Contemporary Art Galleries in Shanghai's Bund - Adventure Year Week 6

posted on: July 23, 2019

This week has me thinking a lot about creative process.  Making a commitment to do a self-motivated creative effort on a regular basis comes with a process of sorting out what that creative thing is about.  Six weeks in and I'm still figuring out how I want to use this weekly blog touch point.  I prefer this process be open and flexible, rather than fixed and confining.  After-all, it's a process of creation for me, which I just happen to be sharing publicly as I go.



As I consider this week, I think, should this just be a summary of everything you can already find on Instagram or Facebook?  That will get too repetitive if you follow me in other places.  However, I give myself grace for mostly doing that so far, because in the first month of changing places regularly and then working through jet lag recovery, that was pretty much all I could manage creating while taking in everything new as I went.

This is the first week that I'm starting to feel a little more settled into Shanghai.  Life is feeling a little more routine, and that makes it easier to think and strategize beyond what new thing needs to be explored or figured out today.  This is also the first week that I've had several days of being awake the entire day and asleep most of the night rather than half nights of sleep and afternoon naps to get through the day.  Good sleep cycles makes a big difference in the ability to strategize and create beyond observing and documenting.


I also consider the format of this blog space and how it serves others beyond myself.  Online.  Digital.  Searchable.  Archivable.  Should everything I create here be of use to other people, or should it just be record keeping for myself?  Historically, this particular blog has always been a mix of both- as flexible and multi-dimensional as I am.  As flexible as the creative process should be to allow for variations, deviations, and innovations.



Perhaps all this thinking about creative process was inspired by a visit to a few art galleries this week.  Alex mentioned that his NYU Shanghai summer class would be visiting some gallery and museum spaces downtown, and when he saw my curiosity pique, he invited me to come along.  The tour was curated by Michelle Hyun, director of NYU Shanghai's Art Gallery, in tandem with a class project designed to reimagine the gallery experience.  On a hot and humid day, I was grateful she curated a short walk between distinctly different gallery spaces, which also happened to have a lot of curatorial variety at the time of the showing.  If you find yourself near the Bund in Shanghai and want some interesting places to spend your day, definitely check out these galleries...

We started at the University of Hong Kong Shanghai Study Center Gallery, which was featuring the exhibition "Growing Home: Archive of Master Architect's Own Houses (1930s-1960s)"  As someone who has an interest in architecture, it was interesting to see what perspective was recognized and what architects were included and omitted from the exhibition.


From there, we headed across the canal to the Art Plus Shanghai commercial gallery, which was featuring a group show for the summer.  I gravitated to works by Huang Yulong for the use of hoodie representation in classical sculptural form and Zhang Zhenxue for the use of organic line and shape to walk the boundary between abstract and figurative.

Crossing the line between commercial gallery and museum was the Perrotin, which would be perhaps the most challenging gallery to find if I were on my own and not being guided into the space since it resides on an upper level of the building.  I feel like it's rare to see many truly original and visceral artists in galleries, but that's how I felt about Izumi Kato's work.  It seems to refuse a level of symmetry that our mind wants in order for it to fall into the expected dimensions of classical beauty.  Yet that was what captivated me- how the figures could push and pull on our expectations and create moments of surprise and interest just by looking and lingering longer.

The grand finale of the day was RAM: Rockbund Art Museum.  An Opera for Animals Exhibit was an intense collection of works from a wide variety of artists displayed in almost dizzying density.  The intensity of color and detail from one exhibit to the next defied many museum norms of letting each art work or artist's collection breath a little in its own space.  In a sea of artists I'd never seen before, I was surprised to find the familiar Jeff Koons balloon animals so familiar to me from the windows of my New York City neighborhood.  I could easily spend much more time in this museum, and may have to take a return visit to linger quite a bit longer.

A few more adventures posted to Instagram from this week...
Discovering the rooftop lounge bar views at the Bulgari Hotel
Helping some expat friends get custom clothing and find Bassetts Ice Cream
Taking a day trip out of the city to explore the Shanghai Wonderland Intercontinental

Developing an Artistic Style with Artist Strong

posted on: June 11, 2019

Last week, Carrie Brummer of Artist Strong invited me to chat in her Becoming Artist Strong Facebook Group around developing my artistic style.  When I started out as a photographer, I remember feeling the pressure to define my photographic style before I really even knew what my "style" as an artist was.  In this conversation, we discuss what is more important to developing an artistic style in the beginning, and what questions are actually more important to ask yourself as an artist that will help other people connect with and understand your artistic vision.


What do you think is the most important thing to focus on in the beginning of developing your creative work?  
Leave a comment and let me know!

PS.  You can snag your own copy of the Pricing Workbook for Creatives on Amazon!

Travel Log: Biodegradable Dirt Painting in Cambridge, England

posted on: March 8, 2013

It was almost too easy to ignore this little work of dirt art while walking along the Cam in Cambridge, England, but as I stepped closer I gained a new appreciation for the time and effort it must have taken someone to etch this from soil. Or had they used some other type of substance which attracted the soil?  It definitely wasn't charcoal.  In any case, it made me stop to consider the possibilities and implications of biodegradable art and their fleeting nature.  Only a photo has the ability to make this art work live on indefinitely.

Dirt Art

April Desktop - Spring is here!

posted on: April 13, 2010

Spring Magnolias in Lowell, MA

In just the last week, the trees and bushes have come alive with color and gorgeous blossoms in the Merrimack Valley. I absolutely love living in the Northeast! I spent Sunday morning just exploring and appreciating all of the beauty that has emerged from our winter full of heavy and snow and rain. These two images were taken specifically for my desktop series, so go ahead and click the images to download a copy for yourself!

Spring Blossoms in Lowell, MA

WEDDINGS: Ann Wood Handmade Birds

posted on: December 16, 2007


Ann Wood's handmade birds are the most fabulous things I've ever seen on the top of a cake!! The image above comes to you from Sharyn & Matt's wedding in Washington, DC, which I won't be blogging until forever, but I had to share this with you NOW in case you fall in love and want Ann to do one for you before the wedding season hits and she's so crazy busy that you won't be able to order one!


Ann created glasses for the groom that look just like Matt's and the fabric for the bride's dress is exactly the same as Sharyn's reception dress! Seriously.. could they be any more stylish!?

She doesn't do just wedding cake toppers, these little birdies would make great personalized gifts for any bird lover in your life! Check out some of her other fabulous recent work.....



This owl amazes me from the patterns, to the texture, to the layers, and he even has an incredibly clever name: Chuzzlewit! (photos are from Ann Wood's blog- click an image to go to the original post)

Look at this one all bundled up for winter and ready to go! He even has snow on his hat!

EYE CANDY: Falling Garden

posted on: January 16, 2007



Click on the image to learn about the Falling Garden by Gerda Steiner and Jörg Lenzlinger.

Surrealism

posted on: July 10, 2005

While exchanging emails with an art loving bride, I was reminded of the time that I visited the Salvador Dali museum in St. Petersburg, FL. At the time I had a mild interest in Dali's work and wanted to see an actual painting in order to better understand the madness to his craft. I feel there's a much deeper connection to the artist when you can look at the original work, instead of a print of the work. A print can only capture so much. In my mind, texture is an essential element of painted art and speaks volumes of the artist's process.

I didn't fully appreciate Dali until I found myself standing in front of one of the largest paintings on canvas that I had ever seen to that point. The Hallucinogenic Toreador was nearly two stories tall, and full of imagery, optical illusion, and symbolism. What the print cannot convey is how he managed to paint images within the texture of this painting. I must have looked at the painting for 15-30 minutes alone.. and I could have looked longer. The longer you look, the more you see, the more aborbed you become in the work, and the work becomes in you. If you ever find yourself in the area of St. Petersburg, FL, do yourself a favor and visit this museum, if nothing else but to stand in front of this amazing work and attempt to take it all in.

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